KRAZYKIRST INTERVIEWS ACTRESS CHRISTINE WEST

12TH OCTOBER 2007

Q. DO YOU THINK MRS MEERS EVER CONSIDERED GETTING THE LIFT FIXED?                                               

(CHRISTINE APPEARED (2007) IN THOROUGHLY MODERN MILLIE AS MRS MEERS)

A. (LAUGHS ha ha ho ho) THAT’S A QUESTION I DIDN'T EXPECT. NO, SHE WOULDN'T SPEND MONEY ON ANYTHING LIKE THAT. AS LONG AS SOMEBODY CAN MAKE IT WORK BY HOOK OR BY CROOK, SHE'D GO ALONG WITH THAT.

Q. HOW DID YOUR ACTING CAREER BEGIN?

A. WHEN I WAS FOUR I WAS IN A SCHOOL PLAY CALLED THREE LITTLE PIGS, AND I WAS THE PIG THAT WAS IN THE HOUSE OF BRICKS. I FELT VERY IMPORTANT BECAUSE I DIDN'T GET EATEN BY THE WOLF. I GOT BITTEN BY THE BUG THEN AND I DON'T THINK I'VE STOPPED SINCE. I WENT ON THROUGH SCHOOL, TEENAGE YEARS, AND EARLY MARRIED LIFE. I'VE AUTOMATICALLY ASSUMED I'D BE GOING OUT TO REHEARSALS EVERY DAY OF THE WEEK ALMOST. I LOVE IT YES.

Q. YOU WORK WITH VARIOUS COMPANIES, BRISTOL MUSICAL COMEDY CLUB, AND KELVIN PLAYERS FOR EXAMPLE, HOW DO YOU MAKE THAT WORK?

A. I LOOK TO SEE WHAT THEY ARE GOING TO BE DOING AND IF THERE'S SOMETHING I WANT TO AUDITION FOR. IT HAS TO BE PLANNED CAREFULLY BECAUSE REHEARSAL TIME IS IMPORTANT AND YOU HAVE TO COMMIT. THAT'S ASSUMING YOU GET CAST.

Q.  DO YOU APPROACH THEM OR DO THEY APPROACH YOU?

A. IF I SAY THEY APPROACH ME, THE TERM IS, THEY ASK YOU IF YOU WOULD AUDITION. MOST WELL RUN COMPANIES TELL YOU IN ADVANCE WHAT THEIR PROGRAM IS GOING TO BE FOR THE NEXT YEAR OR SIX MONTHS. YOU RECEIVE INFORMATION ABOUT WHAT THE PARTS ARE, WHAT THE PLAY'S ABOUT AND THEN JUST PUT YOURSELF UP FOR AUDITION. IT'S AS SIMPLE AS THAT.

Q. CAN YOU TAKE ME THROUGH THE PROCESS OF GETTING THE ROLE AS MRS MEERS?

A. ON THAT OCCASION THE DIRECTOR AT THAT TIME, (ORIGINAL DIRECTOR UNABLE TO CONTINUE, REPLACED BY STEVE BLACKMORE), SAID WOULD I AUDITION FOR MRS MEERS. I SAID YES, I ONLY KNEW THE FILM AND NOT THE STAGE PLAY. I AUDITIONED AND GOT THE PART.

Q. HOW DO YOU APPROACH A CHARACTER, IS IT THROUGH DIRECTION/DIRECTORS NOTES, DO YOU RESEARCH?

A. I DO RESEARCH IT A LITTLE BIT. IT'S AN ACTORS RESPONSIBILITY TO TAKE ON BOARD SOMETHING OF THE CHARACTER AND TRY TO WORK OUT FOR YOURSELF WHAT YOU ARE GOING TO DO. THEN YOU TALK TO THE DIRECTOR AND BETWEEN YOU TRY AND COME UP WITH WHAT YOU BOTH WANT. IF THE DIRECTOR’S ANY GOOD YOU RESPECT THE DIRECTION AND IF THE ACTOR’S ANY GOOD THE DIRECTOR LISTENS TO THE ACTOR. IT'S TWO PEOPLE WORKING TOWARDS THE SAME END. WITHIN A COMPANY AND WORKING ALONG WITH OTHER PEOPLE. ACTING IS THE ART OF REACTING.

Q. DID YOU BASE YOUR PORTRAYAL OF MRS MEERS ON BEATRICE LILLY'S SCREEN PERFORMANCE?

A. NOT REALLY. THE LOOK WAS BECAUSE I THOUGHT YOU COULDN'T BETTER IT. THE PERFORMANCE NO, THAT WAS ME.

Q. AT THE END OF THE SONG MAMMY (FROM THOROUGHLY MODERN MILLIE), YOUR CHARACTER, MRS MEERS, EXITS WITH A WINK TO THE AUDIENCE. WAS THIS YOUR OWN INTERPRETATION, INSPIRATION?

A. MY WINK TO THE AUDIENCE JUST HAPPENED ON THE FIRST NIGHT WHEN THERE WAS AN AUDIENCE TO SHARE MY WICKED LITTLE SERCRET WITH. THIS HAPPENS QUITE OFTEN FOR ME, JO PUBLIC ADDS ANOTHER DIMENSION.

Q. DO YOU THINK AS A STAGE PERFORMER YOU NEED TO HAVE THE ABILITY TO ACT/SING/DANCE AKIN TO CAROL BURNETT OR DOROTHY LOUDON?

A. IT ALL HELPS. THE MORE I DO THIS THE MORE I REALIZE THAT NONE OF US ACTUALLY WORK TO OUR FULL POTENTIAL. I DIDN'T TAKE ON A SINGING ROLE UNTIL THE 1970'S BECAUSE I ASSUMED I COULDN'T DO IT. ALTHOUGH MY VOICE ISN'T A SINGERS VOICE, THE ODD ROLE COMES ALONG WHERE A CHARACTER VOICE IS APPROPRIATE. THE NOTE FROM THE MUSICAL DIRECTOR AGAINST MRS MEERS WAS 'BELT' AND THAT SUITES ME DOWN TO THE GROUND.

Q. HOW BEST WOULD YOU DESCRIBE YOUR ACTING SKILLS?

A. WHEN I WAS YOUNGER I USED TO DANCE QUITE A BIT, ALTHOUGH I DON'T DO SO MUCH OF THAT NOW. I THINK COMEDY TIMING IS SOMETHING I'VE ACQUIRED OVER THE YEARS AND HOPEFULLY THE DRAMATIC ROLES. I CAN LAUNCH INTO THOSE AS WELL. I'M ALWAYS LEARNING.

CHRISTINE ADDS; THE PEOPLE I WORK WITH ARE ALL MY FRIENDS. THE BRISTOL THEATRICAL SCENE IS WONDERFUL AND WE ALL AIM TO BE AS PROFESSIONAL AS WE CAN. IT'S A HUGE CIRCLE OF FRIENDS REALLY, AND IN A WAY, IT IS A BIG FAMILY.

THANKYOU CHRISTINE WEST.

AUTHORS NOTE: KRAZY AND I HAVE A FAIRLY RANDOM VIEW OF THIS WACKY, MAD WORLD ON WHICH WE RESIDE.  REALISM IS NOT SOMETHING WE SERIOUSLY CONSIDER…IS IT REALLY ALL IT’S CRACKED UP TO BE? YOU DECIDE. THIS RESULTS IN OUR HUMOROUS TAKE ON ALL THINGS WE ATTEMPT TO DO. ALTHOUGH WE WERE EXCITED AT THE PROSPECT OF MEETING CHRISTINE WEST, WE WERE ALSO VERY, VERY NERVOUS…I MEAN NERVOUS, KRAZY WAS EXPERIENCING THE CREAM CRACKER CHALLENGE AND FOR ME  CAMERA SHAKE WAS NEVER FAR AWAY EVEN WITH THE HELP OF OUR TRUSTY TRIPOD. WE NEEDN’T HAVE WORRIED. CHRISTINE WASN’T WEARING MRS MEERS WIG AND COSTUME AND SHE DIDN’T ONCE SAY,’SAD TO BE ALL ALONE IN THE WORLD’ SHE WAS AS HER SELF, PROFESSIONAL AND BEAUTIFUL. A RIGHT GOOD SPORT. (SAID WITH NORTHERN ACCENT).

OUT OF RESPECT I HAVE TO MENTION THE LITTLE FILM COMPANY ROLLS ROYCE (1990 ESCORT), IT HAS GONE MISSING. THE GENIUS BEHIND THIS HEIST HAS LEFT US BEREFT…OF TRANSPORT. OUR CAR HAS ITS OWN VICTORIAN PORCELEIN TOILET ON THE DASHBOARD, SO HARDLY EVER USED…I SAY ‘HARDLY’, THERE HAVE BEEN TIMES…..ANYWAY, OUR CAR HAS A STORY, AND IT’S LIVED A LIFE, SIMULAR TO FOUR WEDDINGS AND A FUNERAL. OUR ROLLS ROYCE WAS DONATED TO ME BY MY POLISH NEIGHBOUR RICHARD AND HIS WIFE AUDREY. IT SEEMS APPORIATE TO SAY THANKYOU FOR YOUR UNFAILING SERVICE OUR MAGNIFICENT CAR AND NAT RAZIE X